The general public, formerly profoundly indifferent to everything to do with building, has been shaken out of its torpor; personal interest in architecture as something that concerns every one of us in our daily lives has been very widely aroused; and the broad line of its future development are already clearly discernible. Walter Gropius
Some Similar Quotes
  1. I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts.... - Nora Ephron

  2. When someone you love says goodbye you can stare long and hard at the door they closed and forget to see all the doors God has open in front of you. - Shannon L. Alder

  3. If you want to be happy, do not dwell in the past, do not worry about the future, focus on living fully in the present. - Roy T. Bennett

  4. Ester asked why people are sad." That’s simple, " says the old man. "They are the prisoners of their personal history. Everyone believes that the main aim in life is to follow a plan. They never ask if that plan is theirs or if it... - Paulo Coelho

  5. Once you realize you deserve a bright future, letting go of your dark past is the best choice you will ever make. - Roy T. Bennett

More Quotes By Walter Gropius
  1. Only work which is the product of inner compulsion can have spiritual meaning.

  2. Society needs a good image of itself. That is the job of the architect.

  3. How can we expect our students to become bold and fearless in thought and action if we encase them in sentimental shrines feigning a culture which has long since disappeared?

  4. Theo van Doesburg wanted to teach in the Bauhaus in 1922. I refused, however, to appoint him since I considered him to be too aggressive and too rigidly theoretical: he would have wrought havoc in the Bauhaus through his fanatic attitude, which ran counter to...

  5. The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.

Related Topics